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For complex studio and location setups requiring detailed pre-visualization, I utilize Cine Tracer's real-time cinematography simulation platform alongside Blender to create comprehensive 3D mockups. These tools allow me to design and share precise lighting scenarios, camera positions, and set layouts with the Director and Art Department.
Sony fX3
Day Rate
$225
Week Rate
$675
Sony fX6
Day Rate
$275
Week Rate
$825
Arri 35
Day Rate
$600
Week Rate
$3,200
Day Rate
$500
Week Rate
$1,500
Day Rate
$325
Week Rate
$975
Audio Kit
Rode Wireless Go - Lav Mic x2
Rode NTG5 Shotgun Mic
Lenses / Optics
Sigma Art (18-35mm) f/1.8
Sigma Art (24-70mm) f/2.8
Sigma Art (70-200mm) f/2.8
Support & Stabilization
Gimbal: DJI Ronin 4
Tripod: Sachtler FSB-8 Fluid Head & flowtech 75mm
Monopod: Manfrotto 290 Carbon Fiber Monopod
Slider: Dana Dolly system w/ speedrail
Motorized Slider: available upon request
Easy rig
Car mounts
Monitoring & Signal
15.4" (1,000) Nits HDR Director Monitor
12.9" iPad Director Monitor
Portable tent for video village setup
Lighting / Aputure
1,200 D
600 D
300 D
Aputure Accent B7C - RGB LED 8-Light Kit with Charging Case
Amaran: F22
All Lighting Controlled Through Sidus Link App
Lighting Modifiers
Spotlight Mount Set with 36° Lens
F10 Fresnel Attachment
35" Lantern w/ skirt
47" Octabox w/ grid
23" Octabox w/ grid
…additional accessories available upon request
Frequently Asked Questions
1. What camera packages do you work with, and what would you recommend for our project?
I primarily work with Sony and ARRI camera systems, and I'm also experienced with RED cameras.
Each system has its unique strengths, and I can help determine which camera package will best serve your project's specific needs and budget, whether that's an ARRI 35, Sony VENICE, or RED camera system.
I own several camera packages and have established relationships with rental houses for specialized equipment.
2. How do you collaborate with directors during pre-production and on set?
I maintain clear communication throughout the process. During pre-production, we'll work together on shot lists and visual planning. On set, I focus on efficiently executing our vision while remaining flexible to creative adjustments.
3. How do you handle challenging lighting situations or difficult locations?
I start with thorough location scouting and work closely with my Gaffer on complex lighting setups. We create detailed plans and always have backup solutions ready for any technical or environmental challenges we might face.
4. What is your typical crew structure, and do you have a regular team you work with?
I require a Gaffer for shoots with lighting setups. While I can work without an assistant camera on simple shoots, I need one when working with manual cinema lenses and complex lighting scenarios.
5. How do you stay within budget while maintaining high production value?
I focus on smart resource allocation, prioritizing elements that directly impact image quality. I can scale equipment and crew based on project needs while maintaining professional standards.
6. What is your pre-production process like, and how much prep time do you typically need?
I focus on location scouting, equipment planning, and technical testing. Large projects need 1-2 weeks of prep, while smaller ones typically require a few days.
7. Do you carry full general liability insurance?
Yes, I maintain a $2 million general liability insurance policy.
Matthew's childhood unfolded across various U.S. states and international locales. Relocating to Hong Kong at 2, He later moved to Philadelphia before settling in Illinois. A pivotal moment came at 12 with attendance at Missouri Military Academy, and at 16, Stillwater Academy in Salt Lake City, Utah, where he graduated six months early.
Awarded Utah's "Student of the Year," he earned a trip to the 2002 Winter Olympics speed skating finals. Post-high school, a gap year in Hawaii marked a period of self-discovery through surfing and photography. Returning to the mainland, he pursued liberal arts at Harper College, then journalism with a photography focus at Southern Illinois University. A transformative summer in Ghana resulted in a self-published photographic series, earning acclaim and awards.
Matthew's photographic expertise led to collaborations with Fortune 500 companies, major brands, and celebrities, establishing him as a sought-after visual storyteller, content creator, and visual consultant.
